note: I use x-large font size for my own eyesight - thanks for tolerating
W-Stage Narnian Gamers' Play is the fourth stage in the developing story of my own theurgical process, and is contextualized by its own mythological integrity, which is feline. The first stage in this series I call “Wreck” [1970-1980], followed by “Cold Warn” [1980-1998], then “Third Stage Narnia” [1998-2016]. In a four dimensional Cartesian coordinate system, x names the first axis, y the second, z the third, and w the fourth. So W-Stage Narnian Gamers' Play is a fancy way of announcing that I have arrived alive in the fourth stage of this wonderful journey toward becoming a godly person.
Of significance to me in this reference also is the fact that I'm beginning to connect with a number of Andromedans like myself, and that simple relativity pertains to the fourth (intergalactic) level of our universe. X-axis is interlunar, y-axis is interplanetary, z-axis is interstellar, and w-axis is intergalactic. Tensions, and the healing of these, between the Andromedan and Milky Way Galaxies have been a major theme for many of us in this lifetime. Apparently there has been an effort to keep Andromedans isolated apart from one another, due to the strength we develop in partnership and community once we find one another. I am now celebrating the fact of my own freedom in creativity where I am fortunate to share a greater visionary process with my own kind.
My own branch of our Milky Way Galaxy, the Sagittarius-Carina arm, is mythologically strong, and loves to work with animals. Narnia tells its story around my own feline actualization where the phases of my life so far have brought me through identification with various spirit animals: the roach, the spider, the alligator, and now finally the lion. I have become Aslan, and am rejoicing my own mythology the way a warm-blooded animal does. But, I must be careful to work the corrections that are now appropriate in my own contribution to this story as I further my transcendence of the cold-blooded laziness I'm so used to indulging.
Why am I reporting this on the Internet? Many have tried to advise against such exposure of the simpler truths that mine are, but I am already so wound within complicated privacy invasion that my withdrawal of storytelling might be slow. I spent too many years reaching beyond the Internet with accusations of draconic identification and other monstrosities to easily cease and desist. I'm told that the animate (mythological) shapeshifting that many theurgists like myself, between Christianity and true Vaiṣṇavism, accept, is unacceptable to the Swedenborgian world outward of simple Christian policy.
One definition of a Christian is that he or she is a polite listener. Our media is the media of faithful prayer. Swedenborgianism answers further to the written word than we do, and apparently plant magic is commonly accepted between our two faiths. Many who live emphatically in the external world recognize the significance of drug-related visions, and these, whether recognized as such, comprise the authoritative portion of stories told on paper.
Stone magic is the magic that makes stories manifest from the paper upon which they are written. Where plant magic transports stories from those who listen politely to them to the scriptures read by so many audiences, stone magic takes those scripts and magnifies them into elaborations that many of us witness on television and in the movies (and on the Internet). As a true Christian, it is not my need to project my story so far, but as I said, during the course of this lifetime I found myself in absurd degrees of combat which included offenses beyond the Internet, such that my recovery process does still to this day manifest through this type of advertisement.